Here's what you missed

The opening reception for my Layers of Vanity series was a success! My paintings were glowing on white walls, I was surrounded by amazing people, the art conversations were rich, and there were sweet treats to eat. Thank you to everyone who was able to make it out, and to those that tried but couldn't quite get there! If you haven't been out to the show, good news, it'll be up through the month of April. No excuses ;)

The evening of Thursday, March 7th went something like this...

Started the evening off pretty worked up... walking around frantically and making phone calls apparently. The goody table is well laid out though! I made oreo truffles and red velvet cake balls. Another indulgence of mine aside from shoes, make-up, etc. I thought it was fitting. Yum!

My sister sent my flowers! She's the best.

What? Two of my best friends from New York are here!? I was a puddle.

BEST SURPRISE EVER! I absolutely adore these girls.

The evening got hot. There was such great energy. The feedback I was getting was awesome. It was nice watching people do the "art gallery dance" (getting close and moving back from my paintings while investigating what was going on).

I was able to catch up with friends I haven't seen in way too long.

Mich is standing in front of the painting she bought! Army of Lipsticks will be in good hands.

My guy, Brett. I cannot even begin to describe the behind-the-scenes work he did to make this night a success. Thank you!

I wouldn't be here without the rents. I appreciate everything they do for me. They traveled all the way from New York to show support! Now that's true love <3

The End

-Mel

Layers of Vanity: A series of feminine-touched still life paintings

So I painted a whole bunch of make-up and jewelry... what does it all mean? I have nothing against the viewer coming up with their own interpretation of my work, however, a little background info couldn't hurt.

Take what you want, and leave the rest:

Let's Talk, 11"x14", oil on canvas

People express so much through the way they carry themselves. A person's image means a lot in our society, and my paintings address the dimensions of a facade. Appearances can reflect our feelings just as easily as they can be false extensions of ourselves.

The Layers of Vanity still life series focuses on objects used to hide or accentuate certain aspects of people.

Forms of text are included throughout my paintings which help foster internal conversations between the viewer and the painting. The content of the writing is a mix of my own thoughts, the names of the product colors, or the endless promises presented by magazine ads of transforming hags into beauties with the spray of a perfume, or swipe of a lipstick, etc. Bits of conversation I have had with friends about how they feel wearing make-up and getting dolled-up also found a way into my paintings.

My application of paint varies from thick and cakey, to flat and fine, mimicking the different ways of applying make-up. Bright, fun colors are found throughout my paintings, as are calm and muted colors. These contrasts parallel the many reasons people decide to wear objects of vanity.

My work is not to force a one-sided opinion regarding make-up, jewelry, shoes, and other material items. Some of the things in my paintings are used to alter perceptions. Depending on who is using them, the objects can also be a means of emphasizing what is already present. Conditional to the viewer, my still life paintings can be seen as a celebration of expression through dressing-up. As a whole, my paintings bring consciousness to what is habitual for some people. When you dress your lips in "Euphoria" is this a form of expression or a desire to be perceived in a certain way? My light and colorful palette, simple compositions, and hints of writing keep things lighthearted but promote thoughtfulness.




-Mel

Installing the Show

The "Layers of Vanity" show was installed on Friday, March 1st, 2013. It went something like this:

After double-checking to make sure my paintings were all signed (sometimes it slips my mind), I gathered them all up... in the living room.

We packed up the good old Jeep Cherokee and drove into the city. We live on the East Bay so the drive was short and sweet. We arrived at the gallery, quickly unloaded the goods, and began arranging my paintings on the lovely empty white gallery walls.

Trust me, this was harder than it looks. Everything needed to be just right!

Next, we measured. We nailed. We hammered. We measured some more. And then we were graced by the presence of Abigail VanCannon, a fellow artist friend. Six hands are better than four. The show was up in no time.

Ta-Da!

Come by and check the show out this Thursday evening at 5:30pm at The Cannery (Suite 104) in San Francisco. There will be a couple shows up in the area, so you'll definitely be getting your art-fix in.

-Mel